This artful film began as a dream—unknowingly, in the sacred space where readers and writers gather.
After reading Morrison’s entire body of work in chronological order for pleasure on my free time during a very lonely time in my life–eleven novels, three non-fiction tomes, including the classics, The Black Book and Playing in the Dark: On Whiteness and the Literary Imagination, I wanted to see a documentary film about the Nobel Laureate whose work eased my discomfort and lit my imagination. When I searched the American Masters roster in 2015 for a documentary on Morrison and realized there was none, I was horrified and enraged by the erasure. In fact, I expected to see several films about the only American living novelist to have won the world’s top literary prize. Inspired by Morrison’s famous charge, “if there is a book you want to read and but hasn’t been written yet, then you must write it,” I was moved to want to make a film about her life. I approached director and photographer Timothy Greenfield-Sanders, with whom I was working on another film The Women’s List and also was the only person I knew who had a direct line to Morrison, The Pieces I am was made. The film was made because Morrison was ready and the stars were aligned. Seems she wanted a film as much as I did.
We did something together—interviewer and subject—Toni and I.
Interviewing the literary giant was one of the most terrifying and enthralling experiences of my career. Being with Morrison at her magical boathouse where a ghost named Beloved visited was a transformative experience. Her steely intellect, wit, and generous heart was captured on film. Helping unpack Morrison’s art were Oprah Winfrey, Angela Y. Davis, Fran Lebowitz, Sonia Sanchez, New Yorker critic, Hilton Als, and Morrison’s legendary editor, Robert Gottlieb and others.
Morrison was a writer, editor, teacher, and mother. Once you begin reading Morrison, you are pulled into a powerful vortex—her work and the work of those she championed. While at Random House she ensured that many of the voices of the Civil Rights and Black Power Movement were chronicled by editing and championing their work. Gayle Jones, Toni Cade Bambara, Angela Davis, Muhammad Ali, and Huey Newton were among these voices. Morrison is the entry point into a larger universe of Black stories, which is deep and wide, ancient, and oh, so beautiful.
My hope is for this film to connect her more intimately with readers of her work as well as new readers. To inspire everyone to return or encounter for the first Morrison’s timeless classics—her novels, essays, sobering speeches, and meditations. To be lifted and inspired— and to be freed. The film made its debut at Sundance, and aired nationally on PBS, Netflix and HULU.
At the end of the big read and the film, I learned that you don’t read Morrison for pleasure only, you read Morrison ultimately, for liberation.